Shooting on Brief

I mentioned in a recent post that Brooke contacted me to do a shoot with her. She had quite a strong vision for what she wanted to accomplish. In her words, she wanted a "Lolita" feel to the shoot. I haven't seen the movie myself but, between a quick google image search, and reference shots Brooke sent me via email, I quickly had a decent mood board full of shot ideas.

What a pleasure.

It meant that I wouldn't have to pull every shot out of thin air on the day, with an expectant subject looking at me, waiting for visual inspiration to strike. She had done the work for me. She knew her look, and she understood what she wanted. It was then just left for me to interpret it and make the technical choices to get the shots she was looking for. I know this won't happen every time, or even very often, but it showed me how much better a shoot can be when shooting for a client with a clear vision.

On a practical level I obviously wanted this reference material with me on the shoot.

Pinterest turned out to be a ready solution.

The week before I set up and shared a Pinterest board with Brooke where we could both pin images to use as a guide on the day. I downloaded the app to my phone which meant that I could pull up the different images we had pinned as we were shooting to use as inspiration, and to ensure we were getting the kind of shots we agreed on. It was like having a portable mood board.

Perhaps embarrassingly, this is the first time I've shot like this (with this much planning and purpose I mean), and it made for a much less stressful, and more productive, shoot. I often have those quiet moments of inner panic where I am trying to work out what the hell to shoot next, and what the client will think of my next crazy shot idea; but using this method I had all that covered before I even arrived.

Not only this, but Brooke could see exactly what we were aiming for as we were setting up for the next shot, and she could instantly know how to pose and hold herself, rather than me having some secret vision I was slowly trying to direct her towards. It really greased the wheels and meant we got all these shots done (and more besides) in under an hour.

I am hoping to make this part of my work flow for all briefed shoots in the future.

It really works.

For the technical stuff; these shots were all taken with my 5DmkII and either my 50mm f1.4 or 85mm f1.8 lenses. The only additional light used was a large reflector with mixed silver and gold to bounce the sunlight back in as fill. Shot 3 is a Bokeh Panorama, which I will get to explaining in a post soon.

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