STREET
When the day job gets technical, street photography brings me back to instinct — to seeing, not solving.
I’m drawn to the unfiltered rhythm of city life: fleeting expressions, shifting light, abandoned objects, and the quiet choreography between people and architecture. My work embraces contrast — deep shadows, sharp highlights, and the graphic shapes created as sunlight cuts through concrete canyons. Every frame is a search for beauty in the overlooked and the ordinary.
I welcome collaborations and commissioned projects that blend authentic storytelling with strong visual identity — from city streets to distant horizons.
pick up a copy of one of my street photography editions of parable
PARABLE is printed on environmentally-friendly, uncoated paper giving a pleasing matt feel in the hand, and muted hues with lifted, charcoal blacks to the rendering of the images.
PARABLE: 'SHADOW WORK'
This is the fifth in a series of publications featuring photography and writing around a theme. In this edition I share a series of images featuring the hard light and shadows of our city streets and talk about the reasons why I think this style of photography captures our attention. I also talk about how the ‘shadow times’ we pass through in life refine us into human beings who have more to offer, and how we can make friends with the shadow which lurks within all of us.
PARABLE: 'MERELY PLAYERS'
This is the sixth in a series of publications featuring photography and writing around a theme. In this edition I share a series of images featuring some of the more colourful characters I’ve come across on the streets over the years. I talk about how we can approach capturing subjects within the frame, and why human beings love to weave imaginary stories about the lives of others. I also talk about how we’re each given roles to play in our lives, and how self knowledge is the path to discovering both the part we were born to perform, and what we each have to contribute to the world.
PARABLE: 'WALKING ALONE'
This is the seventh in a series of publications featuring photography and writing around a theme. In this edition, I share a body of street photography alongside the story of how the genre rescued me from falling out of love with photography altogether. I reflect on how I found my photographic voice at the time by focusing on single figures, moving through the liminal spaces where light and shadow meet. I also explore our modern loneliness epidemic: what I believe is driving it, how time alone can be used well, and how we might consciously reintegrate to find community again.